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Julien Binford

By Additional Works

Julien Binford was born in Powhatan County, Virginia in 1908, and later travelled to study at the Art Institute of Chicago and schools in Paris and Spain in the 1930s. He returned to the United States where he was commissioned to paint murals in southern post offices and public buildings as part of Franklin D. Roosevelt’s New Deal Programs.  Further, during World War II he was commissioned by Life Magazine to depict the wartime happenings in the New York Harbor. Over his lengthy career, he mastered both representative and abstract portrayals of everyday scenes and objects. Exploring several mediums including oil, ink, pastel, and gouache, his sense of material evokes a tactile nature within the work. Pastels smudge into faces and forms, and egg tempura washes over geometric abstractions, conveying transparency through soft yet intentional strokes.

He was a professor of painting at Mary Washington College for 25 years, and many of his works are in the Mary Washington University Galleries’ permanent collection.  His work has also been exhibited at the Art Institute of Chicago, the Carnegie Institute, the Corcoran Gallery, Pennsylvania Academy of Fine Arts, and the Whitney Museum of American Art. Binford passed away in 1997.

Past Exhibitions
Hot Fun in the Summertime
Summer Solstice

Queen's Offering, c. 1950, egg oil tempera on board, 32 x 47.5 inches
Abstraction, 1962-63, egg oil tempera and acrylic on canvas, 51 x 64 inches
Flower Vendors (Charleston), 1948, graphite and pencil on paper, 11 x 8.5 inches
German Dive Bombers (New York Harbor), 1945, ink on paper, 11 x 8.5 inches
Binford_56_Untitled_nd_pastel on paper mounted on board_8x11_signed
 
Queen's Offering, c. 1950, egg oil tempera on board, 32 x 47.5 inches
Abstraction, 1962-63, egg oil tempera and acrylic on canvas, 51 x 64 inches
Flower Vendors (Charleston), 1948, graphite and pencil on paper, 11 x 8.5 inches
German Dive Bombers (New York Harbor), 1945, ink on paper, 11 x 8.5 inches
Binford_56_Untitled_nd_pastel on paper mounted on board_8x11_signed

Richard Carlyon

By Artists

Richard Carlyon (1930-2006) studied painting and dance at Richmond Professional Institute (now Virginia Commonwealth University), earning a BFA in Fine Arts in 1953. After military service and a stint in New York, he returned to RPI in 1958 for his MFA. Joining the faculty shortly thereafter, Carlyon taught in the Departments of Painting and Printmaking, Communication Arts and Design, and Art History at the VCU School of the Arts until his appointment as Professor Emeritus in 1996. He received the Distinguished Teaching of Art Award from the College Art Association in 1993 and the Presidential Medallion from VCU in 2005.

The recipient of professional fellowships from the Virginia Museum of Fine Arts and the Virginia Commission for the Arts, Carlyon participated in nearly 100 group exhibitions from the mid-1950s to 2005, including several shows at Siegel Contemporary Art and the Fleischmann Gallery in New York. Among his many solo exhibitions over more than four decades were multiple presentations in Richmond at Reynolds Gallery, 1708 Gallery, and Anderson Gallery, VCU School of the Arts. In 2009, together with the Visual Arts Center of Richmond, these venues organized a city-wide retrospective of Carlyon’s diverse work, accompanied by a major catalogue.

Carlyon’s paintings and drawings are included in numerous private and corporate collections, and held in the permanent collections of the Virginia Museum of Fine Arts, Richmond; the Taubman Museum of Art, Roanoke, Virginia; and the Longwood Center for the Visual Arts, Farmville, Virginia.

Past Exhibitions
Early & Late, Eleanor
Vacation Days
Hot Fun in the Summertime
Missed Connections
Summer Solstice
Selected Works 2008

Links
VCU School of Medicine Collection
“Selected Works” at W&L University

Tree, 1952, Oil on canvas, 36 x 30 inches
Entrance to the Grove, 1975, liquitex and acrylic polymer emulsion on canvas, 79 x 85 inches
Carlyon, In Place, 1986-88, acrylic polymer emulsion on canvas, 57 x 78 inches
Carlyon, Untitled, 1973, pastel, charcoal and pasted paper on paper, 18 x 24 inches
Untitled (Woman and Hedge , 1958, pastel on paper, 24 x 18 inches
 
Tree, 1952, Oil on canvas, 36 x 30 inches
Entrance to the Grove, 1975, liquitex and acrylic polymer emulsion on canvas, 79 x 85 inches
Carlyon, In Place, 1986-88, acrylic polymer emulsion on canvas, 57 x 78 inches
Carlyon, Untitled, 1973, pastel, charcoal and pasted paper on paper, 18 x 24 inches
Untitled (Woman and Hedge , 1958, pastel on paper, 24 x 18 inches
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David Freed

By Artists

David Freed’s landscapes capture the energy of nature, with all its unpredictability and imperfections. Drawing inspiration from the seasons, atmosphere, and changing weather, he adapts an intimate relationship with his subject, making paintings with a distinct perspective. Layers of etchings and mixed media techniques unite with varying hues and textures to convey an essence as opposed to accuracy. Freed’s touch and eye for color lends to the subtlety and undoubted sincerity present in each piece.

Born in 1936, his career as an artist spans over fifty years. He received his Bachelor of Fine Arts from Miami University of Ohio and his Master of Fine Arts from the University of Iowa (1962), and went on to found the printmaking department at Virginia Commonwealth University in 1966. He has been awarded numerous grants and prizes over his career, including the Fulbright Grant (1963-64), the World Print Competition (1977), the Virginia Museum of Fine Arts Fellowship (1983-84), the Theresa Pollak Prize for Excellence in the Arts (2001), and the VCU Award of Distinction from the Southern Graphic Council (2009). The VCUarts Professor Emeritus currently lives in Richmond, VA.

Past Exhibitions:
Windows: For Bev
River on My Mind 
Here and There

Reviews & Links
Exhibition at Beverley Street Studio School
Richmond Times-Dispatch 2009

After the Rain, Days of Rain, 2021, etching, woodblock, watercolor and pastel on paper, 40 x 27.5 inches
Fall, ND, Etching, 17 x 15 inches
Backyard Gray Day, 2021, etching, woodblock, watercolor and pastel on paper, 40 x 27.5 inches
 
After the Rain, Days of Rain, 2021, etching, woodblock, watercolor and pastel on paper, 40 x 27.5 inches
Fall, ND, Etching, 17 x 15 inches
Backyard Gray Day, 2021, etching, woodblock, watercolor and pastel on paper, 40 x 27.5 inches
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Wolf Kahn

By Artists

Regarded as one of today’s most important representational painters in the nation, Wolf Kahn renders stunning landscapes and abstracted scenes in vibrant hues. Exploring color and light as an aesthetic and emotional field, his oil paintings and pastels exhibit unique color combinations both intriguing and complex. His work truly serves as a vehicle for expressing tone, energy, and movement. Kahn immigrated from Germany to New York City in 1943, where he studied with artist Hans Hofmann, and later received his Bachelor of Arts from the University of Chicago (1951). His work is held in major collections, including the Whitney Museum, Metropolitan Museum of Art, Museum of Modern Art, all New York, NY; Boston Museum of Fine Arts, Cleveland Museum of Art, and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. He has received major accolades, including the Department of State’s 2017 International Medal of Arts, Fulbright Scholarship, a John Simon Guggenheim Fellowship, and an Award in Art from the Academy of Arts and Letters, among others.

Curriculum Vitae

Reviews & Links
Richmond Times-Dispatch, 2011
Style Weekly, 2005

Purple Diagonal, 2008, Oil on canvas, 20 x 28 inches