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Andras Bality

By All Together

As an artist and painter during these universal difficult times, Art is always there when needed. Waiting to be consulted, made or provoked. A place to get answers, which otherwise may not have been considered.

Monhegan Bay, 2020
Oil on canvas
32 x 40 inches

Andras Bality is a modern-day impressionist, drawing inspiration from predecessors Bonnard and Van Gogh. He captures vistas across Virginia with lightness, freedom, and intensity.  Although based in realism, his paintings blur representation he applies paint to convey a scene’s energy as opposed to its accuracy.  Small, vigorous strokes build into tangible layers, transporting the viewer to vistas of Warm Springs, James River, and Page County.

Bality received his Bachelor of Fine Arts in Painting from Virginia Commonwealth University and later continued his studies at the Cyprus College of Art (1986, 1987-88).  His work is in the collections of the Lewis Ginter Botanical Garden, the College of William and Mary, Media General, the Medical College of Virginia, Capital One, Markel Corporation, and the Federal Reserve Bank of Richmond, to name a few. He is a recipient of a Virginia Museum of Fine Arts Professional Fellowship and a Theresa Pollak Award in Visual Art (2002, 2013).

Beth Gilfilen

By All Together

Much like marking the days, I start many of my works on paper and painting in a notational way, allowing the diluted line to build and deviate, telling me which way to go. Each decision moves quietly, then recklessly, crescendos, then falls and dissipates. A picture of time is fixed yet ever-shifting and I begin again.

Wander 2, 2019
Oil on paper
51 x 80 inches
Framed

Elizabeth Gilfilen paints airy and delightfully rough abstract oil paintings. She embraces a sense of frenzy in her strokes, amplified by loose waves of pigment colliding with tighter line markings. From the lines emerge abstractions of figures, trees, and unknown forms. Her compositions are at once volatile, sophisticated, and atmospheric. Gilfilen earned her BFA from College of D.A.A.P. at University of Cincinnati, and MFA from VCUarts (1997, 2001). She has mounted solo exhibitions across the east coast as well as an international show in Brisbane, Australia (2018). She currently resides and works in Brooklyn, NY.

Javier Tapia

By All Together

The Gift, 2019-20
Watercolor on Strathmore paper
18 x 72 inches

“The Gift” is a piece I worked on while thinking about a piece by the late artist Richard Carlyon. A year ago Eleanor Rufty, his wife, surprised me with a gift, a piece done by Richard. In my version, although not literally connected to “togetherness,” I thought about gift as “extension”, the importance of gift as “free communication,” our connectedness through the act of giving. I thought about continuing a “visual conversation” about someone who constantly gave so much to many artists. In the end of experiencing the piece, I tried to reiterate what we sometimes easily forget: the importance to take a stand for creating and celebrating art primarily born out of gift.

Born in 1957 in Lima, Peru, Javier Tapia grew up in a tumultuous period as guerrilla warfare dominated political and social movements throughout the country. He moved to the United States in the 1980s, having witnessed the many binaries of humanity: good and evil, intellectual and primal, connection and detachment. His work explores how these opposites manifest in life; abstract shapes and broad strokes become metaphors for chaos and control, or structure and disorder. Much like traditional Peruvian weaving, Tapia overlaps, subtracts, and reworks layers of watercolor, creating dynamic compositions which emanate physicality.

Tapia earned his Bachelor of Fine Arts and Master of Fine Arts from the University of Texas at Austin (1984, 1987). He has exhibited at the Embassy of Peru Art Gallery, Washington, DC; Museo de Osma, Barranco, Peru; Bloom Gallery, Milan, Italy; Hunt Gallery at Mary Baldwin College, Staunton, VA; 1708 Gallery, and the Anderson Gallery, both, Richmond, VA. He currently lives in Richmond, VA and works in Virginia Commonwealth University’s Department of Painting and Printmaking, where he has taught since 1988.

Carlton Newton

By All Together

A Cluster of Communicants, 2020
Sumi ink on paper
30 x 22 inches
Framed

Drawing for Sculpture, 2018
Sumi ink on paper
30 x 22 inches
Framed

“It doesn’t make sense to me.” To know with the senses as opposed to knowing with the mind. How do these two forms of knowing intertwine symbiotically as we find metaphor in our search for meaning? How the perceived world organizes itself, be it clusters of communicants embracing or colonies of lichen competing, continues to engage my attention.

Carlton Newton’s interest in science, nature and technology weaves itself into his Sumi ink drawings on paper which render imagined subjects both organic and manufactured. His precise black forms appear specimen-like; self-contained clumps of undulating lines and intertwined structures contrast a pristine white background as though laid out for careful study and inspection.

Born in 1946, Newton currently lives and works in Richmond. After teaching at the College of William and Mary and Princeton University, Newton joined VCUarts Department of Sculpture and Extended Media from 1987 to 2017. He received both his BFA and MFA degrees in sculpture from the San Francisco Art Institute. His work has been exhibited at the Virginia Museum of Fine Arts in Richmond; Danese/Corey Gallery and the New Museum in New York; the Art Museum of the Americas, Washington, D.C; the Peruvian North American Cultural Institute, Lima, Peru; and the Keith Talent Gallery, London, England, among others. Newton’s work is included in the collections of several major corporations including Markel, Altria, and Dominion.