News of the world streams through our psyches. How does this steady barrage affect me? Insomnia is usually a nuisance when I work or travel elsewhere- but is now ever-present. Quarantine Dreams emerged while painting into the earliest morning hours and references imagery begun while working on “The Moving Cultures Project” in Tibet. The steps one must climb to get where they are going have become a running motif for me, particularly personal and relevant during times of loss, anxiety and adaptation.

Quarantine Dream #7, 2020
Ink, gouache, watercolor, wax on rag paper
12 x 9 inches
Framed

Quarantine Dream #14, 2020
Ink, gouache, watercolor, wax on rag paper
16 x 12 inches
Framed
Applying layers of ink washes on glossy and sometimes translucent paper, Amie Oliver creates compositions conveying movement, time and earthly elements. She allows her marks to be affected by the humidity and looseness of her hand on water-resistant paper, where ink can flow or disappear.
Amie Oliver received her BA from Mississippi State University and MFA from Bowling Green State University. She completed post grad course work at Tyler School of Art of Temple University and at the Visual Studies Workshop through the State University of New York, where she studied with acclaimed Book Artist Keith Smith. Oliver previously taught in VCUarts’ MIS Degree and Studio Arts Foundation Program and served as Associate Professor at Longwood College and Mississippi State University. She is currently a teacher at the Visual Arts Center of Richmond and serves on the Board of Directors of 1708 Gallery. Her work is included in the permanent collections of the Try-Me Collection, Capital One, the Medical College of Virginia of Virginia Commonwealth University, all, Richmond, VA; the Thelonious Monk Institute of Jazz, Washington, D.C.; and the Oberpfalzer Kunstlerhaus, Schwandorf, Germany, to name a few.
As an artist and painter during these universal difficult times, Art is always there when needed. Waiting to be consulted, made or provoked. A place to get answers, which otherwise may not have been considered.
Andras Bality is a modern-day impressionist, drawing inspiration from predecessors Bonnard and Van Gogh. He captures vistas across Virginia with lightness, freedom, and intensity. Although based in realism, his paintings blur representation he applies paint to convey a scene’s energy as opposed to its accuracy. Small, vigorous strokes build into tangible layers, transporting the viewer to vistas of Warm Springs, James River, and Page County.
Bality received his Bachelor of Fine Arts in Painting from Virginia Commonwealth University and later continued his studies at the Cyprus College of Art (1986, 1987-88). His work is in the collections of the Lewis Ginter Botanical Garden, the College of William and Mary, Media General, the Medical College of Virginia, Capital One, Markel Corporation, and the Federal Reserve Bank of Richmond, to name a few. He is a recipient of a Virginia Museum of Fine Arts Professional Fellowship and a Theresa Pollak Award in Visual Art (2002, 2013).
Much like marking the days, I start many of my works on paper and painting in a notational way, allowing the diluted line to build and deviate, telling me which way to go. Each decision moves quietly, then recklessly, crescendos, then falls and dissipates. A picture of time is fixed yet ever-shifting and I begin again.
Elizabeth Gilfilen paints airy and delightfully rough abstract oil paintings. She embraces a sense of frenzy in her strokes, amplified by loose waves of pigment colliding with tighter line markings. From the lines emerge abstractions of figures, trees, and unknown forms. Her compositions are at once volatile, sophisticated, and atmospheric. Gilfilen earned her BFA from College of D.A.A.P. at University of Cincinnati, and MFA from VCUarts (1997, 2001). She has mounted solo exhibitions across the east coast as well as an international show in Brisbane, Australia (2018). She currently resides and works in Brooklyn, NY.