Media – Reynolds Gallery

Gerald Donato Scholarship Fund

margaret — Fri, 02 Jun 2017 18:09:30 +0000

Read the full article here.

Gerald Donato “Fresh” in Style Weekly

margaret — Tue, 16 May 2017 19:54:34 +0000

“[Paul] Monroe (curator) calls him a painter’s painter who ‘painted to paint,’ making him a role model to students. ‘When people
used to ask him why he painted certain things, he’d say it was because he wanted to see the things that moved him. He just wanted
to rock his own world.’ ” – Karen Newton

Read the full article

Gerald Donato

margaret — Fri, 14 Apr 2017 16:14:01 +0000

“Donato’s longtime friend and art collector Paul Monroe describes [the work] as experiments in expression. Donato applied house paint
on hollow-core doors and often cut holes in them to reveal the interior that could become yet another surface.” -Harry Kollatz Jr.

Read the full article

Gerald Donato Gallery Talk

margaret — Sat, 01 Apr 2017 18:27:32 +0000

Click to view the full video

Paul Monroe, Curator
Liz King
David Morris

Tuesday, April 25
6 pm

James Prosek

margaret — Thu, 23 Feb 2017 18:54:34 +0000

Recent Works
Installation shots
Photographed by Terry Brown, courtesy of the artist and Reynolds Gallery.

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Off The Cuff – Boston

margaret — Wed, 16 Nov 2016 19:35:31 +0000

Our pop-up exhibition in Boston is featured in StyleCarrot! Click here for the full article

Jiha Moon

margaret — Wed, 17 Aug 2016 18:28:28 +0000

Congratulation to Jiha Moon, whose recent exhibition at Reynolds Gallery, Blue Yolo, Yellow Chrysanthemum, was
reviewed in Art Papers.

“Sometimes when things are thrown together, they seem to make no sense. And it is the question of sense that
has become an arena of debate regarding Jiha Moon’s succulent, multifarious paintings, drawings, and ceramics.” – Dinah Ryan

Art Papers July/August 2016

Ben Durham and Sarah Briland: KMAC Inaugural Exhibition

margaret — Tue, 02 Aug 2016 14:47:15 +0000

Congratulations to Ben Durham and Sarah Briland, both of whom are exhibiting in KMAC Museum’s inaugural exhibition Material Issue.

“The exhibit will explore the materiality of traditional materials along side film, video, performance and other new media, which are vital to a more expansive narrative that gives greater agency to our material surroundings. The 13 contributing artists engage in material investigations that facilitate a better understanding of our shared environment, thinking through historical relics, new and old technologies, cultural artifacts, domestic goods, and common art supplies.”

KMAC Museum: Material Issue

Full exhibition catalogue, courtesy of KMAC Museum:

Conor Backman and Jiha Moon

margaret — Tue, 05 Apr 2016 17:35:43 +0000

Preview of Conor Backman and Jiha Moon’s exhibitions in Richmond Magazine.

Creative Fusion – Richmond Magazine

Jill Moser: Art in Print

margaret — Sat, 19 Mar 2016 16:08:07 +0000

A seemingly effortless gesture is choreographed into an emptied field

Art in Print, 2016

by Faye Hirsch, from Volume 5, Number 6

Edition Review

Steadily building a notable oeuvre in prints, the New York-based artist Jill Moser has been working in various mediums at studios around the city and beyond over the past five years. Whether large screen prints or small etchings, her abstract prints are recognizable in the finesse with which a seemingly effortless gesture is choreographed into an emptied field. Loser’s marks veritably breeze into view, full of light and air. Three intaglios made late last winter at Wingate Studio in New Hampshire, during what proprietors Peter Pettengill describes as “pouring snow,” are among Moser’s most lovely. Over flats of color aquatint, Moser composed a wide, porous, brushstroke-like gesture in soap ground. Pettengill reports the work as deceptive in its look of spontaneity. In fact, Moser cannily manipulated the soap medium, allowing it to set, thick and thin, so that in the second plate, the “gesture” is in fact a negative activating the entire field. Over this she printed a third plate in spit bite with a more saturated color. The palette is lush, with one in pink and reds, a second in yellow and silver, and a third in violet and silver. Maybe it was the snowy days, but there prints feel hushed and personal, with the stroke dominating the small square format while remaining weightless- an admirable feat.

2015-Faye-Hirsch-ArtInPrint

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